Shape flowers in metal, create copper fountains, reproduce 18th-century tinware, pursue small-scale forging for jewelry, or make critters and roosters! No experience necessary.
Shape flowers in metal, create copper fountains, reproduce 18th-century tinware, pursue small-scale forging for jewelry, or make critters and roosters! No experience necessary.
This rustic building, built of locally-grown pine in the early 1970s and located in Studio Row, is well-equipped for jewelry making. It has been modernized and expanded in recent years, and contains saw frames, mandrels of all sorts, hammers, anvils, burnishers, rockers, pushers, scapers, vice grips, crucible, drill bits, engraver, dapping blocks, clamps, punches, awls, flat rolling mill, hydraulic press, drill press, bench grinder, belt sander and more. Cold glass classes such as stained glass and kaleidoscope making are also held here, as are our metalworking classes. In 2012, the studio was named in memory of D.X. Ross, a wonderful jewelry and enameling instructor, and the addition to the studio was named in honor of Alice Ahlers, who has taken over 200 classes at the Folk School.
Barbara has taught clay and jewelry classes for over 25 years. She studied clay at the University of Illinois, silversmithing at Indiana University, and she has an MFA degree from Southern Illinois University. Barbara’s work is in many collections, including the High Museum of Art in Atlanta, and has won numerous awards throughout the U.S. She is a member of the Southern Highland Craft Guild.
Elizabeth is a blacksmith, educator, and the owner of Black Widow Forge. She was the blacksmithing apprentice at the Metal Museum in Memphis, TN for two years where she trained under master smith Jim Masterson. She was a craft education intern at North House Folk School, a resident artist with the Science Museum of MN, and has spent time at craft and folk schools across the country. Elizabeth has shown her work, competed, and taught blacksmithing throughout the United States and internationally and has most recently finished up an artist residency at Arrowmont School of Arts and Crafts. Elizabeth sits on the board of the Society of Inclusive Blacksmiths which is an international nonprofit committed to building equity and diversity in the field of blacksmithing.
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