Elevate Your Pottery: Handle Techniques with Kimberly Shelton

Kimberly Shelton is a new instructor at the Folk School teaching her first weekend class coming up October 25-27 of this year. Come take in all Kimberly has to share (it’s a lot!) about their handle making techniques and learn what works best for you!

Read more about Kimberly Shelton and her class in our interview below. Check her out on Instagram @DirtDobberWares and register today to secure your spot!

JCCFS: Tell us a little bit about yourself and your background in your medium. How did you get started?

KS:I have been discovering the power of clay for nearly 25 Years. After receiving my BFA from Georgia State University in 2007, I have worked as a studio technician, assisted production potters and attended Craft Schools throughout the US as a studio assistant. I created 500 Mugs for the 2020 Penland Annual Benefit Auction which took nearly 1.5 years for me to complete.

JCCFS: Tell us more about your class’s specific technique or process.

KS: “Get a Handle On It” is about exploring the multitudes of ways to elevate your drinking vessels with the attachment of handles.

We will consider varieties on form and tools available to create the most aesthetic and functional mugs. We will explore techniques such as pulling, throwing, cutting, extruding and rolling shapes to bend and manipulate into handles.

By sharing our ideas, students will be able to visualize the multitudes of options for attachment styles, shapes & sizes, and embellishments to enjoy while drinking your hot beverage of choice! Join me as we get a handle on it!

freshly glazed mugs 

Class example

Kimberly outside the kiln

JCCFS: What can students expect to leave your class with?

KS: This weekend long experience will be about exposing ourselves to new ideas and viewing form in relation to function. Each student will contribute their perspective which will hopefully expand our ideas of what makes a pleasant mug.

We will each be creating our own Handle Pulling Tool to utilize during the workshop and take home. Students are welcome to take home greenware to complete the process while I will encourage everyone to view this as an opportunity to let go and explore ideas without the “attachment” to a final product. Hehe see what I did there!

JCCFS: What do you enjoy most about teaching?

KS: I started my teaching journey in Philadelphia with a Youth Outreach Program. I will never forget the look on children’s faces when they realize that they could create anything they could imagine. I began teaching one time wheel lessons and was always amazed at how people could just get it.

Over time I started offering long sessions and loved watching groups form where one day a week people could step out of themselves and explore their creativity. It is never ending! My first clay professor in college was illuminating and I was immediately awe struck with the process.

In teaching, I hope to be able to share the 25 years experience I have and see that excitement in peoples eyes when they become inquisitive and want to know more and more and more.

JCCFS: What attracted you to the Folk School? What are you most excited about for your first time teaching here?

KS: As a Georgia Peach I have an affinity for southern Appalachia and its rich history of folk and craft culture. I find the rolling foothills offer a bit of solace from the chaotic world. I am most excited to be able to guide a cohort in an immersive experience in one of the oldest most natural materials available. I am eager to break bread with a new community share laughs and grow together.

JCCFS: Where do you draw inspiration from for your work?

KS: Truly, my own making practice is rather solitary. I enjoy drifting away in my own mind as I shape and refine the materials. The serenity of nature encourages this process as my mind can be a bit wild. The driving inspiration comes from an idea, in my mind, that eventually I will be able to share the outcome with the community. I make tableware in hopes to create an elevated environment for people to gather and share experiences. Everything that happens in the world eventually influences the work. .

JCCFS: What’s one piece or craft object you’ve made recently that you are proud of, and why?

KS: Currently, I am working to finish building out my own home studio. My making practice has taken a bit of a pause while I take these steps. I do manage a pottery studio at a Community Arts Center and get to facilitate others in their making journey on a daily basis. This brings me joy and also drives me to get back to consistency in my practice.

JCCFS: What tips would you give an aspiring craftsperson? Anything you wish you knew as a student?

KS: Make things that bring you joy. Don’t be afraid to scrap something if it is not sparking light. In the beginning, everything seems so precious. If we can learn from something and let it go it will make room for more to come. I do not believe it is possible to ever fully be satisfied and that drives my desire to continue exploring and learning new things, indefinitely.

Mugs, vases and candle holders made by Kimberly

Mugs on steps

Upcoming Class with Kimberly

Get a Handle On It

October 25-27, 2024

What can truly transform a simple cylinder or an oval dish? Handles, of course!! Pull, cut, roll, throw and extrude while exploring the various ways to create and attach handles, elevating your forms. All levels of hand-builders and wheel throwers with some experience welcome! Take home completed leather hard works to fire or simply use the time to explore the various techniques.

About Kimberly Shelton

Kimberly Shelton graduated from Georgia State University, in 2007, with a Bachelor of Fine Arts in Ceramics. From 2009 to 2015, Kimberly lived in Philadelphia where they worked as a studio technician at The Clay Studio. During that time they also worked as an assistant to many local artists and began developing their teaching philosophy with the clay mobile outreach program. Kimberly also began working within the slow food movement where they discovered their attraction to the connection between ceramic tableware and fresh foods. They moved to Whidbey Island, Washington in 2015 to apprentice with Robbie Lobell of Cook On Clay, a flameware production specializing in ceramic cookware and has experienced workshops at various Craft Schools including Penland, Haystack, and Arrowmont. In 2017, they relocated back to Georgia to attend her first professional residency at The Hambidge Center and reconnect with that wood firing community. Kimberly is happy to be back in the South, rekindling their connection to home and their roots.

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